“We used to go to a summer place in Northern Ontario. And my mother had this lady analyze handwriting. The lady analyzed my handwriting and said that someday I was going to be a famous architect.”
“I took
a class in perspective, with Mr Workman, and I failed. I got an F. I couldn’t
stand it so I went back and took it again, and got an A.
Then I
took a class at USC in ceramics. The ceramic teacher said ‘I have a hunch you
should take an architecture class, 'I'm going to enroll you at night. Every
Monday night there's an architecture class.' Got an A in the class and they
recommended I go into Second Year Architecture.
Then in
the middle of Second Year my teacher said ‘Frank this isn’t for you, you should
get out of here. It didn’t mean shit to me.
It
devastated me, but I didn’t give up.”
‘[In the
Eighties] my colleagues were starting to replay Greek temples. That was hot,
everybody was re-doing the past.
I said,
y’know, “Greek temples are anthropomorphic. And three hundred million years before
man was fish. If you wanna, if you gotta go back, if you’re insecure about
going forward, dammit, go back three hundred million years. Why are you
stopping at the Greeks?” So I started drawing fish in my sketchbook.’
‘And I
realized, when I'd come in to the meetings with these corrugated metal and
chain link stuff, and people would just look at me like I'd just landed from
Mars. But I couldn't do anything else. That was my response to the people and
the time.’
Kutipan dari
Frank O Gehry Arsitek
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